I’m a seasoned Visual Effects Supervisor with extensive film, episodic, and immersive production credits. I’ve demonstrated a proven ability to deliver innovative, high-quality projects under tight deadlines and complex technical requirements throughout my career.

Recent roles include Production Visual Effects Supervisor on Netflix’s The Undertow, VFX Executive for Amazon Studios (overseeing French and Spanish territories), Overall VFX Supervisor on Disney+’s Culprits, and Studio VFX Supervisor EMEA for Netflix. These diverse positions highlight my adaptability and global perspective on the VFX process.

I founded and led the French production company Monsieur le Loup earlier in my career. I managed every aspect of production and post-production, including directing, editing, filming, and sound. This hands-on approach built a solid foundation in visual storytelling. As a 2D Supervisor at Prime Focus, I honed my technical skills, contributing to high-profile films such as Total Recall and Kingsman: The Secret Service.

While at Cinesite London, I worked on acclaimed productions such as Duncan Jones’ Mute (Netflix) and the independent thriller Adrift. I then oversaw VFX for Universal Studios’ The Bourne Stuntacular (VES Award winner, THEA Award), Amazon Studios’ The Wheel of Time (Season 1), and the landmark 25th James Bond film No Time to Die (Oscar, BAFTA, and VES nominations). These credits underscore my ability to manage technically demanding productions while delivering industry-recognized results.

In every project, I’m involved from concept to final delivery—collaborating closely with directors and producers, creating compelling creative pitches, designing tailored VFX strategies, and providing on-set supervision. My goal is always to balance technical precision with artistic vision, ensuring that each story I help tell comes to life in the most captivating way possible.